/ Domestic & Psychological Thriller

Designed to be
Read Twice.

Quiet thrillers about marriage, neighbours, family, and the small details readers don’t notice until the second read.

/ Latest Release · File 001

The Neighbour’s Tea

Unreliable Narrator Dual POV The Dinner Party

Anna Lerner is a careful person. She locks the back door at night. She keeps a list of who waters her plants when she travels. She does not lose three hours of an evening to a single cup of tea.

The neighbours moved in on a Sunday. They had the dinner party on a Friday. Anna brought a bottle of wine. She left at — she thinks — ten. The next morning, the bottle is on her kitchen counter, untouched.

“The first read is the story. The second read is the truth.”

/ the files

Six Subjects.

Six relationships under examination. Choose the one closest to home.

/ 01 The Marriage Eight years married. A postcard in the back of a drawer. A history that does not, on second reading, line up. Open the file → / 02 The Neighbour The couple who moved in next door. The dinner party. The hour you cannot account for. The bottle on your counter. Open the file → / 03 The Family A DNA test ordered after the funeral. A half-sister nobody mentioned. A note in your mother’s hand: please find her. Open the file → / 04 The Friend The person you have known for twenty years. The thing they remember differently. The night you both swore never to talk about. Open the file → / 05 The Self The diary you don’t remember writing. The handwriting that is, somehow, yours. The week missing from your year. Open the file → / 06 The Workplace The colleague you trained. The promotion you didn’t get. The email you never sent — and the one in your outbox at 2:14 a.m. Open the file →

/ on the second read

The first read is the story.
The second read is the truth.

/ about the author

Meet Kiernan Grady

Kiernan Grady writes domestic and psychological thrillers — quiet, careful books about marriage, family, neighbours, and the small details readers don’t notice until the second read.

The books are short by genre standards. They are written to be finished in a weekend and started again on Monday. The plot is on the surface. The story is underneath. The reader who comes back for the second pass is the reader these books are for.

When she’s not writing, she is reading evidence transcripts, listening to investigative journalism, and arguing that the most frightening setting in fiction is a kitchen at eight in the morning.

More about Kiernan

/ subject Author photo
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/ from the desk

Case Notes

Craft pieces, research, and the stories behind the stories.

/ 01

On Writing the Reread

How to construct a domestic thriller that rewards — and demands — a second read.

/ 02

The Quiet Twist

A defence of the thriller that doesn’t shout. The under-the-surface book is the one that lasts.

/ 03

Why Domestic

What makes the home the most frightening setting in the genre — and why I won’t write anywhere else.

Designed to beRead Twice.